Boots Riley of The Coup

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The Coup, an Oakland based hip-hop group, have been releasing politically radical music since Kill My Landlord in 1993. I, however, had never heard anything from The Coup other than the rants and raves their music has caused from friends and critics alike. And after seeing their unique brand of fresh, smooth, jocular, and dare I say sexy activist hip-hop – I have a lot of good music to catch up on from Boots Riley and Pam the Funkstress, the two permanent members of The Coup, including the recently released Pick a Bigger Weapon.

On June 20th I had the opportunity to see The Coup live at The Parish at The House of Blues in New Orleans. I had complimentary tickets. As it turns out, the majority of those in attendance did as well. The Coup had provided free tickets for any and all volunteers with Common Ground Collective! (Common Ground is a community-initiated hurricane relief and community rebuilding volunteer organization.)

Many days after the show, and after becoming a fan of The Coup, I had a short phone conversation with Boots. I had intended for the interview to focus primarily on The Coups music and live show; however most of it delved into the message behind the music, and issues surrounding post-Katrina New Orleans. (more…)

Thom Yorke - The Eraser

The Eraser

The mere fact that Thom Yorke even recorded a solo album is enough to lead some Radiohead fans to scream, “Treason!” While many found themselves in total bewilderment. Others, myself included, were excited about the upcoming release from one of music’s most consistent entities. (more…)

Brightblack Morning Light at One Eyed Jacks

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If I didn’t have gobs of stuff to do, I’d totally be at this show. Brightblack used to play with Bonnie ‘Prince’ Billy. His new self-titled album is stellar. I thoroughly recommend making it to this one. Mairee Sioux is the opener.

Doors open at 9PM and cover is $10.

TV on the Radio films video

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Want to be in the new TV on the Radio video? Well, if you’re in the Brooklyn area, you’re in luck. This Friday, July 14, TVOTR will be filming “Wolf Like Me” at 3rd Ward. Here is the info for those of you inclined to go:

TV ON THE RADIO!
Be an audience member in the new TV on the Radio Music Video
for “Wolf Like Me”. Band performs, you rock out. It’s that simple.

WHEN:
Friday Jul 14, 2006
at 8:00 PM

WHERE:
3rd Ward
195 Morgan Ave
Brooklyn, NY 11237

Dress: Tough, personal punk, biker, greaser, AVOID LOGOS

MUST RSVP to get on the list: tvorvideo@yahoo.com
Include the names of you and your guests.

Taste of Chicago

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Ah, the Taste of Chicago. For nine whole days, downtown becomes THE meeting place for the fattest of the fat and anybody else that wants to try some real Illinois corn on the cob. I seriously think there were 5 booths selling corn on the cob. But the other reason to go to the Taste of Chicago is the music. This year’s headliners included The O’Jays, Ray Davies, Glen Campbell, Macy Gray, and Liz Phair. As per usual, some of the warm-up bands heavily out-weighed their bigger named counterparts. Before the gore that was Glen Campbell, I danced my ass off to The Yonder Mountain String Band. Before Ray Davies, I enjoyed laying in the grass and listening to Mike Doughty and My Morning Jacket. Liz Phair’s performance was outshined by Fountains of Wayne and World Party.

Technically, the free music bonanza started the day before the Taste. Seu Jorge and Amadou & Mariam played at Chicago’s annual World Music Festival. My friends and I got to Millennium Park halfway through Seu Jorge’s set, and I finally had a reason to not like the massive, beautiful Frank Gehry designed stage at Millennium Park. Unless you’re right in front of the stage, you can’t see a thing. I guess if I’m there to watch an orchestra, I won’t mind…but Seu Jorge was really rocking out. I could hear him fine. But, I really wanted to watch. Amadou & Martin were billed as “the funkiest band in Africa,” and if that’s as much funk as Africa has to offer, I’ve had the seriously wrong impression about the level of Africa’s funk. The rest of the audience seemed to enjoy it, though. Of course, they were all Brazilian and drunk.

The rest of the shows were at the Petrillo Music Shell in Grant Park, across the street from Millennium Park. It’s a really nice place to see a concert because you have the Sears Tower to look at in the background. But it’s also a really crappy place to see a concert because the sound there is horrible and for no given reason every show begins with the singing of the National Anthem (not by the band). Nevertheless, The first show I saw was Yonder Mountain String Band and Glen Campbell. The festival organizers said they’d been trying to get Yonder there for years, and they were really glad they finally got them. The band didn’t disappoint, either. They played a short, jam session filled set. The incredible amount of hippies there for Yonder Mountain was surprising. And none of them (us) wanted to be close to the stage, where the seats were. Outside of the fence, in the grass, they were dancing like madmen. It was an image I wouldn’t see for the rest of the Taste. After Yonder finished, more than half of the crowd left. Glen Campbell came on a little while later. I only stayed until he played “Rhinestone Cowboy.”

On the Fourth, the show that I was really excited about came. Mike Doughty, My Morning Jacket, and Ray Davies. Mike Doughty’s set was a little bit disappointing. It was short, he played a cover of Kenny Rogers’ “The Gambler,” and basically just phoned in the entire performance. My Morning Jacket did a pretty good job in making up for it. It took me a long time to come around to My Morning Jacket, for years I’ve been bad-mouthing them but recently, I decided to give them a chance and I’m really glad I did. They mostly played songs from “Z,” but they also did a “Greatest Hits” of their other albums. The highlights were the 3 songs that Andrew Bird came out with his violin and whistling skills. During “Steam Engine,” the band took some time to really take the audience somewhere. It was something else. Ray Davies was old and he played a lot of his new album. Nobody wants to hear that! Play some Kinks! And he does, and everybody loves him for it.

The last show I was able to make it to was Fountains of Wayne, World Party, and Liz Phair. Fountains of Wayne, if for no other reason than the fact that they played songs that made me feel like I was in middle school again. They played one of my personal favorites from 1996, “Radiation Vibe.” They also played a lot of music off of their new(ish) album which gave me some vague memories of the mall and young girls shopping for clothes with their friends. World Leader wasn’t anything special. I bet my dad would have liked it, but by this time, I was getting drunk, so I could sit through it. Liz Phair was Liz Phair. She was wearing a surprisingly short skirt and played some surprisingly curse word-laden songs, including “Fuck & Run.” She also sang a song about how her boyfriend reminded her of her favorite underwear, which reminded me of the fact that she began to suck a couple of years ago.

I really can’t wait for Lollapalooza.

Syd Barrett dies

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Former Pink Floyd frontman Syd Barrett has died according to his publicist. No cause of death has been released, but the statement says he died peacfully at his home. He was 60.

Barrett had a bumpy ride with the band, eventually being ejected for his eccentricities and crazed ramblings. David Gilmour, who had joined the band a few months before Barrett’s removal, effectively replaced him.

Barrett went on to release two solo albums The Madcap Laughs and Barrett. The albums, which received mixed reviews, have been criticized for exploiting Barrett by showing him at his most vulnerable. Aside from these releases and a few random cameos, Barrett remained largely out of the spotlight.

Shine on you crazy diamond.

Jurassic 5 - Feedback

Feedback

I was a huge jurassic 5 fan back in the day. When MTV’s $2 bill tour came through Baton Rouge, I was there. That’s actually a pretty funny story, they were the warm-up band for some R&B woman, but the entire audience left after j5 played and the mtv employees were stressing to us that if we left, we wouldn’t be allowed back in. No one cared.

But i digress. In between the releases of Power in Numbers and Feedback, I’ve become a much bigger hip hop fan and have started listening to a lot more groups that had previously left a bad taste. Nevertheless, when I got this album and I was pretty sure i was going to think it was sub-par. Fortunately, I was wrong.

Feedback has re-instated some of my J5 fandom. The album is everywhere. It begins with another introduction of the group, but in a “ok, for those of you that are joining this party late…” kind-of way, Then Chali 2na thanks the fans and we’re off. The only real hiccup on this album is the single, “Work It Out.” Dave Matthews? Really? Did we need to go there? I think not.

The major theme on this album is togetherness. Most of the songs are about getting everybody together under the same banner, even bringing in Mos Def in for a track. They manage to sell their message with this album. Sadly, the album never really wows me. It’s solid and well thought out, but never truly impressive. Average work as a whole, that will probably do well because it was made by Jurassic 5.

Grade: B-

Johnny Sketch & The Dirty Notes at The Maple Leaf

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These guys play around NOLA a good bit, but who cares? They put on a good show. It’s a sort of rock-infused zydeco thing. This is about as close as I’ll get to a jam band. No idea what the cost is, but doors open at 10PM.

http://www.myspace.com/johnnysketchandthedirtynotes

Death knell for freedb

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In a swirl of posts, freedb.org died on Saturday, July 1. Lead developer Joerge Schilling issued a statement freedb.org terminating his six year involvement in the project. Schilling wrote:

Today, after six long years, it is time for me to say goodbye to freedb. I started off creating database archives for download and finding ftp mirrors to host it in 2000 and ended up being responsible for basically every aspect of freedb. I feel like freedb is a part of my identity and it is ripping me apart, having to leave it now.

Following his prompt, Ari, another integral developer issued the statement “I quit,” just two minutes after Schilling. Unfortunately, the project seems to have hinged entirely on those two people. Shortly after their departure, the domain owner decided “The future of freedb:”

About freedb.org freedb is not able to operate without Joerg and Ari. There are other - hopefully free - projects that will take over freedbs heritage in a better way and stay free. freedbs future did not seem to be kept free regarding the lastest developments, so I tried to steer against this as I felt it more important to stay free instead of getting fancy web 2.0 features. But unfortunately Joerg and Ari (the main doers behind freedb) disagreed with me and decided that they want to go another direction. I will refuse to comment their postings in plublic and I will thank both Ari anf Jörg for their work and their support.

The domain is now for sale, so any hopes of it bouncing back are slim. For the past six years, freedb has been instrumental to the cataloging of albums and mp3s. I’m quite intrigued to see how this will pan out.

Daft Punk release Electroma trailer

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Alright, I’m not really sure how this slipped past me, but Daft Punk released via Myspace, a teaser for their forthcoming film Electroma. While the movie doesn’t feature doesn’t actually feature music from Daft Punk, the helmeted duo are the central characters. Apparently they play robots on a quest to become human–think Pinnochio but without the nose. It does, however, feature original music from Todd Rundgren, Brian Eno, Sébastien Tellier, Curtis Mayfield, Linda Perhacs, Jackson Carey Frank, and Mathieu Tonetti.

The teaser was released via Myspace last week.Watching it makes me relive their amazing performance at Coachella, definitely the best show of the festival.

Now where can I get one one of those helmets?